I design rooms to be lived in and reset easily — seven shared rooms, a house for sale that sold in 10 days after restaging, and virtual-design concepts with sourcing lists for clients. Everything I do starts here: how a real space feels.

An 1890s shared home in Cheesman Park, Denver. Every bedroom, the porch, the kitchen and the entry were designed so shared living feels calm, private, and well made. All real photos.

BeforeAfterWhat changed: floor and ceiling painted one deep teal to tie the brick and sandstone together; striped runners to give a long porch direction; one hit of color; the original chairs kept so it still feels like the same house. Durability: exterior porch-and-floor enamel, outdoor-rated rugs that hose off.

BeforeAfterWhat changed: closed cabinets swapped for open shelving so everyday things are visible; plants to the sill; surfaces cleared. A shared kitchen works best when everyone can see where things go — and resets in minutes.
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PhotoQuality bed and mattress · desk and work chair · closet or open shelving · individual lock · reading lamp and natural light · full-length mirror.
One accent color or textile, one piece of art, and a layout that follows the light and shape of the room. Enough character to choose one — never so much that one feels worse.
Painted floors and wipeable surfaces, textiles that go in the washer, open shelving where everyone can see where things go. A room is turned over in under an hour.
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The plan for the next room: desk at the light, wardrobe on the dead wall, bed under the slope. A hard room made easy to live in.


What changed: furniture pulled into one conversation group; layered rugs to anchor a long room; sheers to soften the window wall; one piece of color. Result: sold in 10 days.
Virtual design (e-design): the client sends photos and measurements; I deliver the concept visualized in their real room plus a sourcing list for every piece. The client has the items delivered and puts the room together to the concept.


An empty shell with glass block and a stone base. The concept: a lounge by the windows, desks at the back, an art wall, and warm wood against the grey.


Same pendants, same window. The concept keeps what the artist loves — the pinboard, the materials shelves — and turns it into a room you can also eat in.


Same rug, same rattan shelf, same vanity. The concept gives each a place: work by the window, rest on the daybed, and the client's own paintings on the wall.


Shelves and baskets so everything has a place, a hanging rail, and a runner that turns a pass-through into a room.
Where people enter, where they pause, what they see first — it's information architecture with walls.
In almost every one of these, something from the before stayed — the chairs, the rug, the pendants. Good design rarely starts from zero.
A house that sells in 10 days after two months unsold isn't an opinion. It's the measure of whether the design did its job.
Interiors are the foundation for everything else in this portfolio — the brand, product, and web work are all built on this same instinct.